Cinematographer Joe Anderson returned to The Look after his time with us on series TOP BOY, of which he secured a BAFTA nomination in 2020.  We were delighted to work with him and Carrie in bringing a fresh but accessible look to this retelling of a classic novel.  The Look’s own subtle digital grain, as used on Top Boy, Landscapers & Gangs of London, was used to add a small amount of texture to the movie.

The film was completed in UHD HDR, with Dolby Vision trim for SDR, and a DCP made for the theatrical release.