|Producer||Andrew Lazar, Christina Weiss Lurie|
|Camera||Arri Alexa LF in ACES|
Cinematographer Joe Anderson returned to The Look after his time with us on series TOP BOY, of which he secured a BAFTA nomination in 2020. We were delighted to work with him and Carrie in bringing a fresh but accessible look to this retelling of a classic novel. The Look’s own subtle digital grain, as used on Top Boy, Landscapers & Gangs of London, was used to add a small amount of texture to the movie.
The film was completed in UHD HDR, with Dolby Vision trim for SDR, and a DCP made for the theatrical release.