About

Thomas founded The Look in 2007, after leaving MPC where he was a colourist for four years. He is the company's Senior Colourist and CEO. Thomas is recognised as one of the leading Colourists in the world. This award-winning work includes recent productions 'The Innocents' (Netflix), 'Gunpowder' (BBC/HBO), 'Hard Sun' (BBC/HULU), 'Little Women' (BBC/PBS), 'Top Boy' (Netflix/C4) and 'Fleabag' (BBC/Amazon). He also has a long list of credits for feature films and commercials. Thomas' focus is on expert creativity, client experience, company evolution and being a trusted advisor to this industry's top creatives.

Dan has been The Look's Senior Post Producer for nine years. He smooths the client experience by supporting them from shooting through to final delivery. With excellent technical and logistical experience across grading, online, VFX and deliverables, he is able to gently steer a project to successful completion. With his team at The Look and his contacts in drama, features and vfx across the world, he has helped dozens of producers deliver world class projects with collaborations across the industry.

Mark is The Look's Chief Technology Officer and the company's Senior Online Editor. He leads the company's innovation strategy for client servicing and deliveries to broadcasters. He has also onlined and graded features, television dramas, commercials and cinema trailers at The Look for ten years. He works closely with The Look's regular clients and technically supervises major projects going through the company.

Sophie has worked in post production for a number of years. Formerly with BBC Post Production, she joined The Look in 2016 to manage the facility's bookings team and support our clients through their journey with us. Sophie has excellent client skills and a good understanding of the full workflow, from scene to screen. She works closely with Barney and the members of the Control Room team.

Tom, or TB, as we call him joined The Look in 2014 and has quickly established himself as a top online editor. He has an excellent eye for detail, a thorough approach to his work and a good understanding of the technical aspects of the post production process.

Grace joined The Look in 2016, having previously completed work experience at the facility in 2014. She works with TB to manage the workflow of projects in and out of the facility and is incredibly organised. She is also a budding colourist having learnt the skills from Thomas and now has her own clients.

After studying his degree in journalism Barney dipped into creative writing, turning his hand to directing his own short films. After doing work experience with us he was keen to work in post production, meeting some of the exciting people that come through our door. Barney has a confident and calm manner and ensures our clients are always looked after.

Suhaila joined The Look in June 2018 having previously been producing at a leading film distribution company. Suhaila was keen to learn more about high-end post and get closer to the creative talent. She brings with her a wealth of experience in planning for major deliveries with tight schedules so is a valuable team member for our clients.

Ollie joined The Look in 2017 as a graduate of Ravensbourne's Film and TV course. He's supporting Grace and Tom Boyle in the Control Room and starting his journey to join the colour grading team at The Look.

Alex joined The Look in May 2018 after graduating from Nottingham University with a degree in Film and Television studies. He is supporting the whole team and our clients learning the ropes of high-end post production.

Tom joined The Look in June 2018 having studied BA Film at Newport Film School. Tom is based in the Cardiff office, and works closely with the Control Room team in London. As the Cardiff operation ramps up, Tom will be our client's first point of contact at the facility.