Pulse Films, Hugh Warren, Farren Blackburn and Mike Eagle-Hodgson return to The Look for season 3 of this BAFTA award winning series, this time led by South Korean director Hongsun Kim.

As ever, this series demands an advanced VFX workflow, this time using The Look’s VFX Plate Pull system, known as MyLook.  Over 1000 VFX shots were pulled and then dropped and graded in with mattes.  Supervising Colourist Thomas Urbye and Colourist Grace Weston brought both colour skills, but also tools and experience in bedding in VFX amongst the drama shots.  They were joined by Online Editor Tom Boyle who used Flame and Resolve to supervise the finishing across the series.

Hongsun Kim wanted bold contrast and colours to bring a heightened reality to this other worldly London.

Grade was carried out in HDR UHD and SDR was derived via Dolby Vision trims.