THE LOOK | about

The Look has one clear focus - to work with the very best clients in the commercials, film and television industry

We work in a stylish environment that encourages the pursuit of excellence in all areas, as a boutique facility we are able to offer unrivalled service that is not available elsewhere

The core team at the facility is MD & Leading UK Colourist Thomas Urbye, Visual and Special Effects Supervisor Alexis Haggar, and leading titles designer Matt Curtis

Here are some words from our clients and journalists:

• Kieran McGuigan | Director of Photography | Desperate Romantics: "Often when the DoP is experimenting with the light, the colourists don't appreciate the physicality of that light, they don't understand what you were trying to achieve. When I work with Thomas he has that natural instinct, he appreciates what the lighting is trying to achieve and understands it, even augments the passion of that light and by doing so creates breathtaking images"

• Tat Radcliffe | Director of Photography | Criminal Justice 2 & Dead Set: "I had the pleasure of sitting for many days at The Look, grading with Thomas in a darkened room watching him work his magic on 'Dead Set' and on the second series of 'Criminal Justice'. Not only a very talented grader but extremely knowledgeable about the technical side of his craft"

• Vicky Frost | The Guardian: "Criminal Justice looks beautiful, a contained colour palette at times doing as much storytelling as the dialogue and score"

• Steve Harrow | Film Post-Production Supervisor | Young@Heart & Invention Of Lying: "The Look has worked with me on five features over the last three years. The quality of work and consistency is excellent"

Read about The Look's history and the team

the look - high end soho post production | premier boutique grading and vfx